Now that my students have spent some time reviewing rhythms
and listening to each other when playing as an ensemble, we are now ready for
my favorite class project of the year…..The Four Seasons Project! Although my fifth graders are just starting on their projects this year, I will try to add some of examples that I recorded from other years once I figure out how to get mp3 files on here. Please check back.
After listening to excerpts of each season, they eventually
create their own version of a season of their choice. Each week, they add
another layer to their composition. After about six weeks, each group
performs their piece for the class. Everyone has to guess which season they
think it is and why. The performing
group explains what they did to create the mood of their season.
Lesson 1: Two short
excerpts of instrumental (karaoke) versions of very current songs are played
for the students. Usually I choose something that has a very repetitive
instrumental part. I ask the students what songs they heard and how they recognized
the songs. We discuss what the songs are about or if they can describe the
mood of the songs. Although a few students might actually know the lyrics, most
of the students may determine that the song is happy because one of the
examples may be upbeat, but we also agree that we really do not know what the song is about Then we listen
to short excerpts of the same songs with the lyrics. We talk about the meaning
of the songs and discuss that the lyrics are necessary to determine the real
meaning of the song since the background music is very repetitive.
(When choosing the songs, I spend a lot of time looking up
songs that have lyrics that are appropriate for school. I use Audacity (you can download this for free) to edit the music to create
short excerpts of the songs, and then they are embedded into a PowerPoint slide
show. )
I explain to the students that we will listen to instrumental
pieces that have so much detail, they will tell a story without using lyrics. In this lesson, I am not trying to say anything negative about the popular music, the students should be aware of how they are different
and to try to appreciate each style for different reasons. (My opinion of the popular music today is a
whole other blog post. My goal for the students is to be open-minded when they
hear various musical styles of music.)
I then give a short introduction to Antonio Vivaldi and the Four
Seasons. We talk about how life was different during Vivaldi’s lifetime. When I play each except from one of the seasons, I ask them to pay
attention to how much detail was put into the music. They should draw a picture
or write down what comes to mind when they hear each piece. After listening to
all of the seasons, the students discuss their reasons for choosing each
season. Before revealing the title of the piece, I remind them that music tells
a different story to each person. Even if Vivaldi may have had a particular
season in mind, I do not want the students to mark their answers wrong. I want them to be able to try to see things
from point of view of the other students as well as the composer’s point of
view. For example, summers in Italy in
Vivaldi’s lifetime would not involve the same kinds of activities the students
may think of. (ex. summer camp, going in
the pool, and going inside in the air conditioning when it gets too hot)
Lesson 2: We review what an ostinato is by demonstrating
many examples. The class is divided into 4 groups (usually 5 or 6 students per
group). Each group is given one Orff
instrument to work with since they are encouraged to take turns and listen to
each other. Their goal is to come up with one or two ostinato. They are given a
worksheet where they write down the season they have chosen and a description
of the season. (sound effects they may include) Before cleaning up, I may ask the students to
share their progress by performing their ostinato for the class or by
discussing the progress they made. We sometimes use this time to talk about
positive ways they problem solved with their group. As often as possible, I try to have the students share or discuss their progress.
Lesson 3: We review
the definition of “melody” and many examples are given. The melody should have
phrases and a variety of pitches but have some direction or pattern. A melody should be about 4 or more measures
long. I choose a student to play a simple ostinato while I improvise a melody
on a pentatonic scale. This helps the students distinguish between the melody
and ostinato accompaniment.
Each group is now given two Orff instruments. They work on
this during the rest of the class. I rotate between the groups to make sure the
group members are listening to each other and not just doing something off on
their own.
Lesson 4: We spend the beginning of class reviewing A B and
ABA form. I give the students various examples from
songs they have sung over the years. I also show the students how to create an
introduction and coda. The students may
want to add one instrument at a time or have one group of instruments play
before everyone joins in. The students continue working on their melody and
ostinato and then start exploring other ideas.
Lesson 5: We review the names of various classroom instruments.
When I look at their notes, I want to see the real names of the instruments and
not something like the “the shaky thing.”
This week, the students should continue finalizing their main ostinato
and add to their melody. The students often need help to make their melody
stand out of from the ostinato. They
make add another ostinato or add harmony.
This is the point where they can start exploring the sounds of other
instruments around the room to create a rhythmic ostinato or sound effects that
will help create the mood of their season.
The room tends to get very noisy during this lesson. One of
the rules I have is that I should not see students walking around the room
playing their instrument. I don’t mind if they quietly test out the sound
before bringing back to their group, but I often see students walking around on
their own playing an instrument very loudly. Although much of this time is
spent exploring the sounds of the instruments, it is also important that the
students continue talking about what will work with their composition and help
each other create rhythms. During this time, students have started to assign
each other parts. Some of the students need
help finding an instrument they’d like to play. Students may bring in their
band and orchestra instruments in or use the piano in my classroom. Some of the
students will notate their part on staff paper while others just memorize their
parts. The pieces are almost ready to
perform. Many of the last minute decisions are made during this class,
especially when there is a group of students that are still indecisive. I usually
suggest that simple is better. The mini
class performances to share progress are usually helpful at this point.
Lesson 6: Final
practice and performance: The students
set up their instruments to practice. Each group takes turns performing. The
other students describe what they heard. I may ask them to names which students
played an ostinato or melody. We also discuss the form of the piece. Then the
students discuss which season they thought it was and why. The performing group
then briefly talks about their piece by describing the role of each person and
what they did to create the mood of a particular season. I haven’t done this before, but I think it
would also be helpful to have the students write down some of the things we
discuss.